Trevor Kennedy has done more than simply Marie Kondo his storage shed. His large donation to the National Museum of Australia is a great deal.
The man who sentenced Ned Kelly to death would be instrumental in creating the institution that educated Sidney Nolan in famously capturing the outlaw. John Kelly looks at the legacy from Ireland.
Fremantle Arts Centre's current exhibition We Don't Need A Map is an artistic journey into a unique part of Australia, giving local desert people the chance to tell their stories.
What are the boardrooms Australia's corporate high-flyers most want to be in? The ones with perks where no experience is necessary -- but it's still hard work. Crikey names the most coveted.
Philanthropic punter David Walsh is battling to keep his millions. So what happens to his celebrated Museum of Old and New Art if he goes down? Ben Eltham examines a unique and precarious gallery model.
As Australia's largest art fair opens next week in Melbourne, Crikey examines the growing importance of art fairs in an increasingly global art market. Australia is emerging as a player.
The National Association for the Visual Arts is running a campaign on artists fees at the moment. It tells us a lot about the risks of being an artist.
The appointment of Michael Brand as the new director for the Art Gallery of NSW demonstrates that gallery directors have become international art stars in their own right.
The ultimate aim of arts companies is to put bums on seats. But the multi-media, multi-faceted strategy is an inexact science. Crikey speaks to arts marketers about the challenges of their jobs.