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Culture

Smooth operators: Crikey's top five all-Aussie political anthems

Our favourite (not necessarily in a good way) political party songs.

Legally Binding: 'thou shalt not leave teabags in the sink' (and other domestic commandments)

Crikey presents further amendments to The Social Contract, care of writer, broadcaster, and legal expert Lorin Clarke.

Bullish film industry ignores looming threats at Screen Forever

Things are looking up for the Australian screen industry, writes Ben Eltham. So why is everyone so nervous?

The race was predictably the main draw for viewers yesterday, while Seven has a bona fide hit on its hands with <em>The Good Docter</em>.

Glenn Dyer's TV Ratings

The race was predictably the main draw for viewers yesterday, while Seven has a bona fide hit on its hands with The Good Docter.

The Social Contract: important amendments to modern manners

Crikey presents some vital amendments to the Social Contract.

<em>The Good Docter</em> gave Seven a shot in the arm.

Glenn Dyer's TV Ratings

The Good Docter gave Seven a shot in the arm.

Patrons object to Australia Council's new Venice Biennale transparency measures

Why are wealthy philanthropists upset about changes to Australia’s presence at the Venice Biennale? Maybe because they can no longer run their own show.

Should the Sydney Theatre Company keep Ian Narev on its board?

The Commonwealth Bank’s Ian Narev may not be too popular with regulators or investors, writes Ben Eltham. But Narev retains the confidence of one key group: board members of the Sydney Theatre Company.

Glenn Dyer's TV Ratings

Seven’s night, again. The Wall shed 15.7% of its national audience — from 1.54 million  on Monday night to 1.31 million last night, Seven was saved by the debut of The Good Doctor which topped the metros with 1.06 million (the only million viewer audience in the metros last night) and nationally with more than […]