Baal is an intelligent, analytical and very stylish adaptation of Bertolt Brecht’s infamous first play, writes Andrew Fuhrmann.
No show has ever lacked artifice more than Andrew O’Neill’s Out of Step, a mixed-bag hour which reaches interesting heights to complement some desperate lows, writes Vince Chadwick.
Two brave new works make up the Sydney Dance Company's latest production. During these compelling shows, one is constantly reminded of just how superlative a troupe of dancers the SDC have, writes Lloyd Bradford Skye.
Rod Quantock's show The Insane Asylum rapidly progresses from a history lesson, to political commentary, to social commentary. It's not for everyone but Quantock delivers a riveting and fascinating performance, writes Matt Smith.
Two plays seek to answer the fundamental question ‘why aren’t we where we should be?' The performances are witty, the scripts are thoughtful and overall this is one fantastic hour of entertainment, writes Vince Chadwick.
A regular of the Melbourne International Comedy Festival, Stephen K. Amos’ show this year comes with the message that laughter is always the best medicine. He is a skilled storyteller and his delivery is hilarious, writes Matt Smith.
The Brothers Size features three brilliant actors who deliver three flawless performances. It is a drama dense with emotional material, but somewhat less endowed with narrative, writes Lloyd Bradford Skye.
If you're in the mood for a good ol' fashioned drag queen comedy you might want to try this fresh and delightfully kooky show playing at the Melbourne International Comedy Festival, writes Warrick Glynn.
"Clever" and "arse-cheeks" are the first words that come to mind when reviewing Jason Chong. There are some great laughs to be had in his new show Reel Life, writes Matt Smith.
Comedian Mat Kenneally talks to Matt SmithThe Great Escape (playing at the Melbourne International Comedy Festival) which tells the tale of how he escaped from a detention centre.
