What’s a physics graduate doing tangling with Don Giovanni? Jacqueline Dark talked to Curtain Call about the glories of Mozart, the darkness of Don G and life as an Opera Australia diva.
Several people in the audience for Al’s Music Rant, by Al Newsread, were wondering how on earth he knows so much about music, and Siobhan Argent quickly became one of them.
Rob Lloyd is a self-confessed Dr Who fanatic and his new one man show renders all nerds far less socially inept by comparison, writes Siobhan Argent.
Gareth Davies delivers, as writer and performer, around 70 minutes of cunningly constructed anti-theatre, writes Lloyd Bradford Skye.
Dressed in a smart waist-coat and a striped tie, Simon Taylor presents a practised and polished performance to kick of the 2011 Melbourne Fringe Festival, writes Matt Smith.
Avenue Q is Sesame Street for adults, an utterly preposterous musical conceived and devised by Robert Lopez and Jeff Marx. It's bitingly cynical and enormously enjoyable, writes Lloyd Bradford Skye.
Self-confessed ladynerd Keira Daley packs an awful lot into her one hour musical show about a woman fascinated by radioactivity. It's fast and charming. A little too fast, writes Lloyd Bradford Skye.
You’d think that anything Shakespearean would be a shoo-in for an operatic makeover. The music in this new Opera Australia production is too lyrical and sweet to capture the power of the Bard, writes Lloyd Bradford Skye.
Suzie Miller's Transparency is a cleverly constructed homegrown drama about a man with a deep dark secret, writes Lloyd Bradford Skye.
The cast burn incandescently with character and energy in this new Weill and Brecht production that rollicks along with erratic and manic energy, writes Lloyd Bradford Skye.
