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(Image: Unsplash/
Bogomil Mihaylov)

The media legacy of a forgotten comic's extraordinarily racist act

Beers' legacy is more than just another illustration of the contortions journalists will perform to avoid calling something racist.

(Image: Unsplash/Rob Laughter)

Behind the demise of Playwriting Australia

Playwriting Australia is an organisation devoted to improving the nation’s scripts. But the drama lately has all been in the board room.

(Image: Manuel Harlan)

Bemoaning Cursed Child's awards snub misses the point

This year's Helpmann Awards controversially snubbed blockbuster theatre production Harry Potter and the Cursed Child. But is that such a bad thing?

MTC's new production of <em>Storm Boy</em>. (Image: MTC/Jeff Busby)

Adapt or disappear: what is the future of Australian theatre?

Our main stages are increasingly packed with adapted works, and the peak body for playwrights is mired in redundancy and review. Is there still a place for original storytelling?

Is anyone really surprised that Louis CK came back?

Harvey Weinstein may well be going to prison; Louis’s going back to premium cable. What's a little unusual is that anyone ever thought he would not be.

Neil Simon, right, on the set of <em>The Cheap Detective</em> with Dom DeLuise. (Image: AP)

Farewell Neil Simon, and farewell to his certain way of doing comedy

The legendary US playwright and screenwriter behind The Odd Couple has died, aged 91. But what of his legacy?

Why the Melbourne International Comedy Festival isn't as funny as it used to be

What may really be flattening out the mood at the festival is the "acknowledgement of country", which is played at the start of each show.

Anne Edmonds' comedy is truly, madly, deeply Australian – and that's why it works

For comedy to work, here in this country, it must be truly Australian. It must evoke the minutiae of a time and place, be unashamedly local.

The Rocky Horror allegations seem strangely inconvenient for the arts fluff of The Advertiser

Coverage of Craig McLachlan's sexual misconduct allegations (or lack thereof) is highlighting the limits of rigour in Adelaide arts journalism.

'Petty, vindictive and ill-informed': rotten tomatoes thrown at opera critic's 'hissy fit'

Former Age opera reviewer Michael Smith's missive on why he quit has given us a reason to read online comments as the Melbourne arts community bites back.