Freud's Last Session recreates the most famous office in psychiatry for a two-hander that's superbly written but fails to tantalise like its premise suggests it might.
Suspend disbelief and buying into a silly sci-fi phantasm with Delectable Shelter, a new farce from hot Melbourne-based troupe The Hayloft Project.
Other Desert Cities has been nominated for Tonys and Pulitzer Prizes. So why was this Queensland Theatre Company production so boring? The energy seemed drained after opening night.
Recent outcries over public art installations show that not everyone is thrilled by artistic statements in public places, writes Alan Davies.
Simon Stone's adaptation of the Chekov classic ticks all the right boxes, writes Mark Pearce.
It's no secret that big business plays a role in governance, but Dollarocracy shows just how deep those ties run, writes James Rose.
A new public art installation on a median strip has been described by locals as ugly and dangerous. Does art need to conform to space and expectations?
The infamous performance troupe isn't too cerebral, but that doesn't mean it isn't fun, writes Lloyd Bradford Syke
The Blue Man Group is an explosion of colour and movement direct from Las Vegas. It's not rocket science, but it's damn good fun.
Part parody, comedy, tragedy and art work, Night Maybe, from an exciting new Melbourne troupe, presents as ethereal, engrossing drama at TheatreWorks.
