The debut effort from Anya Reiss proves the Australian Theatre for Young People is still breaking ground after 50 years.
Henry Reynolds’ new book explores the dark history of Australia’s Frontier Wars and finds that Australian history is in denial.
Spur Of The Moment is like a warm embrace. Australian Theatre for Young People, 50 years young, produces a remarkable debut effort from Anya Reiss.
In response to tabloid beat-ups and moral panic, photographer Bill Henson has pulled out of the Adelaide Biennial of Australian Art. InDaily arts editor Suzie Keen says it's a terrible shame.
Lloyd Bradford Syke speaks with the Tony award-winner about theatre in Australia and doing justice to classic musicals.
Our critic calls Spirit Of The Lore the most profound black theatre she's ever seen. The Brisbane Festival show -- prepared by a bunch of students -- must be seen.
A new indigenous arts company brings native voices to the stage. This Fella, My Memory is not perfect, but it shows great promise.
A new exhibition by NT artists Therese Ritchie and Todd Williams takes a look at the Territory's entrenched drinking culture.
Annual music industry talk-fest Big-Sound is wrapping up, and the talk was of local content requirements for commercial radio, plus what the Abbott government will (or won't) do to help the domestic music industry.
Tony-winning director Bartlett Sher talks to Curtain Call about his life, Rodgers and Hammerstein and bringing his Broadway version of South Pacific to Australia.
