Lally Katz's wild imagination has been tamed by Griffin Theatre and director Paige Rattray, with a restaging of her widely panned Return To Earth with just the right magic touch.
Nellie White has great material, but sadly the show is under-cooked, writes Patrick O'Duffy.
Dropped is hardly a comedy, but makes up for the lack of laughs with its strength, writes Patrick O'Duffy.
A lack of material, focus and rehearsal made for a mediocre show for metal-heads, writes Alana Mitchelson.
Ute Lemper held a Concert Hall audience spellbound with her song cycle based on the love poems of Pablo Neruda. Thanks to her, the Weimar era has never quite ended.
Is Rachel Collis the great, undiscovered, unwittingly underground cabaret talent of her time? Her Sydney Fringe performances sparkled with humour and poignancy.
Sure, Randy is a puppet show, but goes to a much darker place than Sesame Street, writes Patrick O’Duffy.
A self-deprecating look at social media "addiction" which uncovers a few home truths about loneliness and connection.
Making stupidity funny is harder than you'd think. Sabrina D’Angelo talks clown college ahead of her Melbourne Fringe show.
A modern classic versus a dance-fest with lofty ambitions -- Lloyd Bradford Syke examines both musicals.
