Melbourne indie company Red Stitch has embraced an exciting young writer in Adam Cass and given him an eye-popping canvass for high-tech drama Roam.
At Sydney's daring Carriageworks, an unlikely Irish-Chinese co-production that is playful, absurdist and rather provocative. But what does it all mean?
Funny, heartbreaking and politically incorrect: Eddie Perfect's first play is a winner. The dark satire is a razor-sharp examination of food stuff and middle-class values.
A Greek myth turned into a gay Sex In The City? Kit Brookman's adaptation of the stories around Orestes for Belvoir St is radically contemporary.
Fairfax's business media merger is finally taking shape. That and other media tidbits.
Broadcaster and journalist Jonathan Green calls for a better political debate in his new book The Year My Politics Broke. It's all personality over policy.
Sydney Theatre Company's feminist take on the classic isn't definitive, but it is thrilling, writes Lloyd Bradford Syke.
Sydney Theatre Company doesn't present the definitive take on Shakespeare's classic, if such a thing exists, but Kip Williams' feministic take is a thrilling ride.
In Sydney via Timor, the genre-bending, cross-hatched Doku Rai is the kind of immersive experience you want to have in the theatre — but rarely do.
In Sydney via Timor, the genre-bending, cross-hatched Doku Rai is the kind of immersive experience you want to have in the theatre -- but rarely do.
