The Floating World, a post-war time capsule, broke the mould for Australian theatre in 1974. A revival at Sydney's Griffin Theatre shows why.
Brief Encounter will charm your socks off. The British import production for the Melbourne Festival breathes new life into Noel Coward's nostalgic play.
Is the music industry sexist? There's plenty of women in the business, but they're not being represented, writes former music critic and MusicNSW executive officer Kirsty Brown.
Eleanor Catton is the youngest person ever to win the Man Booker Prize, and for the longest book. And yet the New Zealander's 832-page epic tome is still compulsively readable.
He’s played a French planter in the South Pacific and now he’ll play the King of Siam in another Rodgers and Hammerstein hit. But is the “colour-blind casting” of Kiwi baritone Teddy Tahu Rhodes OK?
He's played a French planter in the South Pacific and now he'll play the King of Siam in another Rogers and Hammerstein hit. But is the "colour-blind casting" of Kiwi baritone Teddy Tahu Rhodes OK?
The cast of The Rite Of Spring | Comedy Theatre
Mat Schulz found a place where experimental music was brought into the fold in the Polish city of Krakow. Sanjay Fernandes catches up with him in Germany.
Moving infrastructure to regional centres is one option mooted to managed urban sprawl, but it's not that simple, writes Alan Davies.
Super Discount is courageous theatre. Not because of its cast -- people with disabilities -- but because of where they dare to go with the material.
