The Cinematic Orchestra played for one magical night during the Melbourne Festival. Every member brought something dazzling to the stage of Hamer Hall.
Theatre company Version 1.0's The Vehicle Failed to Stop takes a hard look at corruption and the dehumanisation of war. It is likely to stop you in your tracks and make you think.
In this adaptation for the Malthouse Theatre, King Lear is an indigenous Australian and his kingdom is the outback. The messages inherent in Shakespeare’s original script align powerfully.
Julia Gillard should make a pretty good income next year as she writes her memoirs, gives speeches and earns the standard ex-PMs salary. Crikey tots up the total.
The role of the egocentric, fading actress is perfect for Alice Livingstone, and this production is a fitting tribute to Noel Coward, writes Lloyd Bradford Syke.
Aakash Odedra is a light on the hill in contemporary dance, and Rising shows off his exquisite style and light-footedness.
The role of the egocentric, fading actress is perfect for Alice Livingstone, who has both an apparent penchant and perspicacity when it comes to such characters. This production is a fitting tribute to Noel Coward.
Simon Stone has raised The Bard. His Hamlet, typically sliced and diced, is thrilling. And Toby Schmitz is commanding in the lead.
The Wharf Revue is back, warming up for its STC season with tributes to Tom Waterhouse, Gina Rinehart, Julie Bishop and, of course, The Abbott Family.
For 20 years, Women In Voice has provided a stage for singers young and old in Brisbane. The anniversary series at the Judith Wright Centre unearths more stars.
