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Theatre review: <em>Design For Living</em>, Playhouse Theatre, Brisbane

Theatre review: Design For Living, Playhouse Theatre, Brisbane

Curtain CallOct 31, 2013

Wesley Enoch’s production ditches the wit and subtlety of Noel Coward’s sexual politics fable in favour of over-the-top farce, writes Alison Cotes.

Theatre review: <em>Grease</em>, Lyric Theatre, Sydney

Theatre review: Grease, Lyric Theatre, Sydney

Curtain CallOct 31, 2013

Nothing about this production breathes new life into the hackneyed musical, writes Lloyd Bradford Syke.

Theatre review: <em>Singled Out</em>, Seymour Centre, Sydney

Theatre review: Singled Out, Seymour Centre, Sydney

Curtain CallOct 29, 2013

Australia's becoming a nation of singletons -- a topic eight playwrights tackle with aplomb, writes Lloyd Bradford Syke.

Music review: Cinematic Orchestra, Hamer Hall, Melbourne

Music review: Cinematic Orchestra, Hamer Hall, Melbourne

Curtain CallOct 29, 2013

The Cinematic Orchestra played for one magical night during the Melbourne Festival, with every member brought something dazzling to the stage of Hamer Hall.

Theatre review: <em>The Shadow King</em>, Malthouse Theatre, Melbourne

Theatre review: The Shadow King, Malthouse Theatre, Melbourne

Curtain CallOct 24, 2013

In this adaptation for the Malthouse Theatre, King Lear is an indigenous Australian and his kingdom is the outback. The messages inherent in Shakespeare’s original script align powerfully, writes Melinda Oliver.

Theatre review: <em>The Vehicle Failed To Stop</em>, Carriageworks, Sydney

Theatre review: The Vehicle Failed To Stop, Carriageworks, Sydney

Curtain CallOct 24, 2013

Theatre company Version 1.0′s The Vehicle Failed to Stop takes a hard look at corruption and the de-humanisation of war, writes Regina Botros.

Theatre review: <em>Hay Fever</em>, New Theatre, Sydney

Theatre review: Hay Fever, New Theatre, Sydney

Curtain CallOct 22, 2013

The role of the egocentric, fading actress is perfect for Alice Livingstone, and this production is a fitting tribute to Noel Coward, writes Lloyd Bradford Syke.

Theatre review: <em>Rising</em>, Riverside Theatres, Parramatta

Theatre review: Rising, Riverside Theatres, Parramatta

Curtain CallOct 22, 2013

Aakash Odedra is a light on the hill in contemporary dance, and Rising shows off his exquisite style and light-footedness, writes Lloyd Bradford Syke.

Theatre review: The Wharf Revue, Glen Street Theatre, Sydney

Theatre review: The Wharf Revue, Glen Street Theatre, Sydney

Curtain CallOct 21, 2013

The Wharf Revue is back, warming up for its STC season with tributes to Tom Waterhouse, Gina Rinehart, Julie Bishop and, of course, The Abbott Family, writes Lloyd Bradford Syke.

Theatre review: <em>Hamlet</em>, Belvoir St Theatre, Sydney

Theatre review: Hamlet, Belvoir St Theatre, Sydney

Curtain CallOct 21, 2013

Simon Stone has raised The Bard. His Hamlet, typically sliced and diced, is thrilling, writes Lloyd Bradford Syke.

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