Veteran Ridley Scott adapts an off-the-wall screenplay from esteemed novelist Cormac McCarthy, and the results are nothing if not audacious, writes Luke Buckmaster.
Thor: is everything that is wrong with superhero movies, writes Luke Buckmaster.
Paul Greengrass' new film is being relentlessly marketed as a Tom Hanks vehicle. That might ruin the quasi-realistic feel, but it's all part of getting bums on seats, writes Luke Buckmaster.
There’s plenty to admire in Australian writer/director Ivan Sen’s expansive neo-noir about a grisly crime and a detective who asks difficult questions, writes Luke Buckmaster.
Studio-produced Hollywood mystery-thrillers don’t get a great deal better (or bleaker) than this, writes Luke Buckmaster.
Writer-director Richard Curtin (Four Weddings and a Funeral) has delivered a soppy and somewhat creepy rom-com, writes Luke Buckmaster.
On the subject of business in Hollywood, veteran John Landis -- director of classics such as The Blues Brothers, Three Amigos! and Animal House -- pulls no punches, writes Luke Buckmaster.
The real-life events that defined the headline-hogging animosity between Formula 1 racers James Hunt and Niki Lauda is perfect fodder for dramatisation.
Prepare to return your jaw to its upright position. Director Alfonso Cuarón’s space blockbuster is a sight to behold, writes Luke Buckmaster.
Italian filmmaker Giuseppe Tornatore directs a perfectly cast Geoffrey Rush in this gloomy and deceptive film set in the industry of high-end art dealing, writes Luke Buckmaster.