Mar 23, 2018

‘Progressives need to have a hard look at themselves’: Sally Potter

While its timing may have been purely providential, The Party is the perfect film for the modern political landscape.

Charlie Lewis — Journalist

Charlie Lewis


Sally Potter has been producing little treasures for nearly three decades -- the kind of films that might quietly change your life through some chance encounter late at night on SBS, or at a video store. Completely distinct, stridently political, strikingly unconventional.

The sumptuous Orlando (1992), adapted from Virginia Woolf's novel, sprawls luxuriously across centuries and has a young, otherworldly Tilda Swinton switching genders midway through; The Tango Lesson (1997) is a charged, meta, quasi-musical (Potter herself stars and dances beautifully); while the haunting war-on-terror love story, Yes (2005), is spoken entirely in Shakespearean iambic pentameter.

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