Terrorists, as much as Hollywood film studios, are driven by the need to provide a visual spectacle. The attack of September 11, 2001, might have had its origins in long-standing geopolitical fractures and short-sighted foreign policy decisions, but of course it was also every disaster movie brought gruesomely to life. Osama bin Laden's horrific re-make of The Towering Inferno lifted the bar for subsequent terrorist productions, but the directors/murderers have done their best to step up to the mark. In a world overladen with content, their work is a form of homicidal click-bait.