Music

Sep 6, 2012

Performing arts audiences stagnating: Crikey analysis

A major new analysis of public source attendance data for Australian performing arts companies published today by Crikey reveals stagnating audiences across the sector.

Ben Eltham — <em>Crikey</em> arts commentator

Ben Eltham

Crikey arts commentator

A major new analysis of public source attendance data for Australian performing arts companies, published today by Crikey, reveals stagnating audiences across the sector.

5 comments

Leave a comment

5 thoughts on “Performing arts audiences stagnating: Crikey analysis

  1. Alex

    Thanks Crikey for publishing the raw data.

    I think the graphs are a bit misleading with the auto scaling google docs applied. For example the Belvoir attendance graph shows a giant crash for 2009 which was ‘only’ (heh) a 30% drop in tickets. Better to use graphs with a minimum of 0 or show both absolute numbers along with percentage change.

  2. skink

    the increased attendance at Western Australian companies, and Black Swan in particular, can simply be explained by the fact that until last year Perth did not have a decent modern facility for theatre.

    the opening of the State Theatre Complex is possibly the sole reason for the increase in attendences, but praise is due to Black Swan for making the most of the opportunity and commissioning new work for the venue

  3. cathyc

    I wonder what difference it would make if you’d looked at smaller theatres as well. In my opinion, by far the most important theatre in Australia is Red Stitch and I imagine in its modest expansion over recent years it must have taken some custom from other theatres. There might be others too.

  4. Tony Ward

    Very interesting data, Ben

    As someone who does some work in this area, it’s clear one key factor is the quality and buzz of what’s performed. The 2011 Live Performance Australia (LPA) Ticket Attendance and Revenue Survey (p34) notes a massive jump in attendances in Sydney last year due to the success of the touring production of Richard III.

    More generally, and looking longer term than your data, theatre audiences have an interesting demographic change. This is evident in the ABS data (catalogue 4144.0) for the age groups of people attending theatre over the past 15 years:
    15-34 age group 1,054,000 in 1995, 894,000 in 2009-10
    35-55 age group 880,000 in 1995, 1,084,000 in 2009-10
    55+ age group 402,000 in 1995, 868,000 in 2009-10
    (the overall number of people attending theatre grew by 22%, just less than the 24% for the overall population)

    So theatre lost young people – but more than doubled the number of 55+ people coming along. As you argue, this too differs a little between States

    Tony Ward
    Milbur Consulting, Melbourme

  5. Brenna Hobson

    Belvoir’s figures are completely skewed by the fact that we had Keating! playing in a number of large venues around the country in 2007 and 2008. The company’s audiences in its home venue have actually grown signficantly in the period 2007-2011.

Share this article with a friend

Just fill out the fields below and we'll send your friend a link to this article along with a message from you.

Your details

Your friend's details

Sending...