King Berenger the First — the protagonist of Eugene Ionesco’s celebrated farce Exit The King — is solipsistic and belligerent … and near death.

Wikipedia describes the play’s synopsis: “He is informed early in the play that he is dying, and the kingdom is likewise crumbling around him. He has lost the power to control his surroundings and is slowly losing his physical capabilities as well. Through much of the play, he is in denial of his death and refuses to give up power.”

This man, Thai King Bhumibol Adulyadej, is also dying.

Bhumibol_2003

As Asian expert Professor Damien Kingsbury tells Crikey today, he almost certainly has the extraordinary power to intervene and avert escalating violence in his country. Still, the monarchy remains silent.

Even drawing a comparison between the fictional Berenger and the Thai King would be seen as disrespectful to the crown, with severe penalty. So we won’t draw it.

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Peter Fray
Peter Fray
Editor-in-chief of Crikey
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