Opera Australia’s new production of Shakespeare’s murderous morality tale of political and personal betrayal is an opera so unrelentingly dark you have to squint to make it out, writes Jason Whittaker.
Macbeth
Theatre review: Macbeth – contemporarily set, classically endowed
A heady, high-octane version of Macbeth plays a limited but intensive season at Sydney’s Riverside Theatre. It’s been preserved faithfully but has a contemporary twist, says Lloyd Bradford Syke.
Lowbottom High Diaries: The agony of the annual exam
How many different ways can you spell “soliloquy”? You would be surprised, writes Trevor Diogenes.
