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	<title>Crikey &#187; Stage</title>
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		<title>Arts editor shits on theatre blogging, flame war ensues</title>
		<link>http://www.crikey.com.au/2012/02/10/my-cup-of-tea-shit-on-theatre-and-bloggers-fire-back/</link>
		<comments>http://www.crikey.com.au/2012/02/10/my-cup-of-tea-shit-on-theatre-and-bloggers-fire-back/#comments</comments>
		<pubDate>Fri, 10 Feb 2012 02:05:08 +0000</pubDate>
		<dc:creator>Ben Eltham</dc:creator>
				<category><![CDATA[My Cup Of Tea]]></category>
		<category><![CDATA[Print]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[alison croggon]]></category>
		<category><![CDATA[art criticism]]></category>
		<category><![CDATA[arts coverage]]></category>
		<category><![CDATA[blogging]]></category>
		<category><![CDATA[Stephen Crittenden]]></category>
		<category><![CDATA[the global mail]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=273671</guid>
		<description><![CDATA[<em>The Global Mail</em> opened its coverage of Australian arts on Monday with a curious piece from Stephen Crittenden about theatre blogging. Online writers haven't stopped talking about it since.]]></description>
		<wfw:commentRss>http://www.crikey.com.au/2012/02/10/my-cup-of-tea-shit-on-theatre-and-bloggers-fire-back/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>A Chorus Line &#8212; Her Majesty&#8217;s Theatre, Melbourne</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/02/10/review-a-chorus-line-her-majestys-theatre-melbourne/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/02/10/review-a-chorus-line-her-majestys-theatre-melbourne/#comments</comments>
		<pubDate>Thu, 09 Feb 2012 21:09:00 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=273589</guid>
		<description><![CDATA[Almost four decades after it began its 15 year run, <em>A Chorus Line</em> is still a strikingly ambitious work. <em>Glee</em> has bred familiarity (and perhaps contempt) of this show, a master template for crafting contemporary musical theatre, writes <b>Jason Whittaker</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/02/10/review-a-chorus-line-her-majestys-theatre-melbourne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Critic v critic on Yes, Prime Minister &#8212; Comedy Theatre, Melbourne</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/02/07/review-yes-prime-minister-comedy-theatre-melbourne/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/02/07/review-yes-prime-minister-comedy-theatre-melbourne/#comments</comments>
		<pubDate>Mon, 06 Feb 2012 22:53:30 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>
		<category><![CDATA[yes prime minister]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=272940</guid>
		<description><![CDATA[Sir Humphrey and co. are back, in an entirely different format. Can the magic of <em>Yes, Prime Minister</em> be captured in Australian theatre? Critics <b>Jason Whittaker</b> and <b>Luke Buckmaster</b>, who were there at opening night, duke it out.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/02/07/review-yes-prime-minister-comedy-theatre-melbourne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>‘Tis Pity She’s A Whore &#8212; Sydney Theatre (Sydney Festival)</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/23/review-tis-pity-shes-a-whore-sydney-festival-sydney-theatre/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/23/review-tis-pity-shes-a-whore-sydney-festival-sydney-theatre/#comments</comments>
		<pubDate>Mon, 23 Jan 2012 22:28:04 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=270546</guid>
		<description><![CDATA[It’s not often a going-on-400-year-old play can make you squirm. In terms of sheer in-your-face confrontation, John Ford’s <em>‘Tis Pity She’s A Whore</em> comes on strong, writes <b>Lloyd Bradford Skye</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/23/review-tis-pity-shes-a-whore-sydney-festival-sydney-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Summer of the Seventeenth Doll &#8212; Playhouse, Melbourne</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/20/review-summer-of-the-seventeenth-doll-playhouse-melbourne/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/20/review-summer-of-the-seventeenth-doll-playhouse-melbourne/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 22:22:54 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=270003</guid>
		<description><![CDATA[Ray Lawler’s <em>Summer of the Seventeenth Doll</em> is a play at once deceivingly complex and disarmingly simplistic, a steady drip-drip-drip of social commentary and kitchen sink drama, writes <b>Luke Buckmaster</b>.
]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/20/review-summer-of-the-seventeenth-doll-playhouse-melbourne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Radio Muezzin &#8212; Everest Theatre (Sydney Festival)</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/18/review-radio-muezzin-sydney-festival-everest-theatre/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/18/review-radio-muezzin-sydney-festival-everest-theatre/#comments</comments>
		<pubDate>Wed, 18 Jan 2012 23:01:30 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=269761</guid>
		<description><![CDATA[Throughout his career Stefan Kaegi has crossed visual and performing arts borders and has specialised in the arse end of avant garde. <em>Radio Muezzin</em> explores Islamist themes but leaves an odorous after taste, writes <b>Lloyd Bradford Syke</b>.
]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/18/review-radio-muezzin-sydney-festival-everest-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Never Did Me Any Harm &#8212; Warf 1 (Sydney Festival)</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/17/review-never-did-me-any-harm-sydney-festival-wharf-1/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/17/review-never-did-me-any-harm-sydney-festival-wharf-1/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 22:44:40 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=269535</guid>
		<description><![CDATA[The Sydney Theatre Company's latest dance production, based on Christos Tsiolkas' <em>The Slap</em>, is sophisticated, highly original and amusing, writes <b>Lloyd Bradford Syke</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/17/review-never-did-me-any-harm-sydney-festival-wharf-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The economy of comedy: does less money = more laughs?</title>
		<link>http://www.usatoday.com/money/economy/story/2012-01-05/comedy-clubs-movie-tv-economy/52397846/1</link>
		<comments>http://www.usatoday.com/money/economy/story/2012-01-05/comedy-clubs-movie-tv-economy/52397846/1#comments</comments>
		<pubDate>Fri, 13 Jan 2012 00:48:10 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[People & Ideas]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[comedy]]></category>
		<category><![CDATA[stand-up comedy]]></category>
		<category><![CDATA[US economy]]></category>
		<category><![CDATA[us recession]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=268467</guid>
		<description><![CDATA[A stand-up comedy club entrepreneur in Chicago is using the American economic recession not to scale back his business but to expand it, writes <b>Gary Strauss</b>.]]></description>
		<wfw:commentRss>http://www.usatoday.com/money/economy/story/2012-01-05/comedy-clubs-movie-tv-economy/52397846/1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sydney Festival: Babel (Words) &#8212; Sydney Theatre</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/12/review-babel-words-sydney-festival-sydney-theatre/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/12/review-babel-words-sydney-festival-sydney-theatre/#comments</comments>
		<pubDate>Thu, 12 Jan 2012 21:22:20 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=268342</guid>
		<description><![CDATA[Ensemble dance production <em>Babel (Words)</em> presents a refreshing problem for a critic to have: a work so extraordinary one worries if one can even begin to do it justice in acclaiming it, writes <b>Lloyd Bradford Skye</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/12/review-babel-words-sydney-festival-sydney-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Taming of the Shrew &#8212; Bicentennial Park, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/10/review-the-taming-of-the-shrew-bicentennial-park-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/10/review-the-taming-of-the-shrew-bicentennial-park-sydney/#comments</comments>
		<pubDate>Tue, 10 Jan 2012 23:17:06 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=267909</guid>
		<description><![CDATA[The Sydney Shakespeare Company returns for another summer season to bring us this late 17th-century entertainment which pits Mars against Venus in a definitive replay of the battle of the sexes, writes <b>Lloyd Bradford Skye</b>.
]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/10/review-the-taming-of-the-shrew-bicentennial-park-sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Magic Flute &#8212; Opera Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/08/review-the-magic-flute-opera-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/08/review-the-magic-flute-opera-theatre-sydney/#comments</comments>
		<pubDate>Sun, 08 Jan 2012 22:18:21 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[mozart]]></category>
		<category><![CDATA[the magic flute]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=267386</guid>
		<description><![CDATA[It might sound like the name of a porn flick backed by the likes of Larry Flynt, but Mozart’s <em>The Magic Flute</em> is a children’s opera. Its enchanting and magical realm is as potent now as ever, writes <b>Lloyd Bradford Skye</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/08/review-the-magic-flute-opera-theatre-sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Annie &#8212; Lyric Theatre at The Star, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2012/01/05/review-annie-lyric-theatre-at-the-star-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2012/01/05/review-annie-lyric-theatre-at-the-star-sydney/#comments</comments>
		<pubDate>Thu, 05 Jan 2012 01:45:55 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Annie]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=267293</guid>
		<description><![CDATA[It spawned a record breaking run and productions in 22 countries. But <em>Annie</em> needs to no introduction and it's a great relief that Karen Johnson Mortimer's new adaptation is virtually flawless, writes <b>Lloyd Bradford Skye</b>.
]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2012/01/05/review-annie-lyric-theatre-at-the-star-sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The 2011 Crikeys: the best in film, music, books, TV and stage</title>
		<link>http://www.crikey.com.au/2011/12/23/the-2011-crikeys-the-best-in-film-music-books-tv-and-stage/</link>
		<comments>http://www.crikey.com.au/2011/12/23/the-2011-crikeys-the-best-in-film-music-books-tv-and-stage/#comments</comments>
		<pubDate>Fri, 23 Dec 2011 01:55:09 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Books]]></category>
		<category><![CDATA[Film & TV]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[People & Ideas]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Cate Blanchett]]></category>
		<category><![CDATA[Crikey awards]]></category>
		<category><![CDATA[Parks and Recreation]]></category>
		<category><![CDATA[PJ Harvey]]></category>
		<category><![CDATA[Sydney Theatre Company]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=266808</guid>
		<description><![CDATA[We went searching for the most page-turning books, the funniest TV, the smartest theatre, the best books and music and film. After naming the best in politics, policy, media and business, we present the 2011 Cultural Crikeys.]]></description>
		<wfw:commentRss>http://www.crikey.com.au/2011/12/23/the-2011-crikeys-the-best-in-film-music-books-tv-and-stage/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Nothing Personal &#8212; Ensemble Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2011/12/13/review-nothing-personal-ensemble-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2011/12/13/review-nothing-personal-ensemble-theatre-sydney/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 22:01:03 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[David Williamson]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=265048</guid>
		<description><![CDATA[With each new and passing play, David Williamson seems to confirm his best work is well behind him. The same old themes rear their tedious heads in <em>Nothing Personal</em>, which is based in the world of publishing, writes <b>Lloyd Bradford Skye</b>.
]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2011/12/13/review-nothing-personal-ensemble-theatre-sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Visiting Japan’s tsunami-devastated towns eight months on</title>
		<link>http://blogs.crikey.com.au/back-in-a-bit/2011/12/13/visiting-japans-tsunami-devastated-towns-eight-months-on/</link>
		<comments>http://blogs.crikey.com.au/back-in-a-bit/2011/12/13/visiting-japans-tsunami-devastated-towns-eight-months-on/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 21:30:52 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Fukishima]]></category>
		<category><![CDATA[travel]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=265042</guid>
		<description><![CDATA[During the One Day on Earth project -- held on 11.11.11 -- <b>Paul Johannessen</b> headed into Ishinomaki, eight months since Japan's devastating earthquake and tsunami. ]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/back-in-a-bit/2011/12/13/visiting-japans-tsunami-devastated-towns-eight-months-on/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Romeo and Juliet &#8212; Opera Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2011/12/05/review-romeo-and-juliet-opera-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2011/12/05/review-romeo-and-juliet-opera-theatre-sydney/#comments</comments>
		<pubDate>Mon, 05 Dec 2011 21:00:04 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=263485</guid>
		<description><![CDATA[The genius of dance artists 'Team Murphy' -- Graeme Murphy and collaborators -- is employed to full impact in this triumphant rehash of <em>Romeo and Juliet</em>, writes <b>Lloyd Bradford Skye</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2011/12/05/review-romeo-and-juliet-opera-theatre-sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Putting bums on seats: new ways to sell old arts</title>
		<link>http://www.crikey.com.au/2011/12/02/putting-bums-on-seats-new-ways-to-sell-old-arts/</link>
		<comments>http://www.crikey.com.au/2011/12/02/putting-bums-on-seats-new-ways-to-sell-old-arts/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 23:49:50 +0000</pubDate>
		<dc:creator>Ben Eltham</dc:creator>
				<category><![CDATA[Companies]]></category>
		<category><![CDATA[My Cup Of Tea]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[art galleries]]></category>
		<category><![CDATA[Australian Ballet]]></category>
		<category><![CDATA[ballet]]></category>
		<category><![CDATA[Belvoir Street]]></category>
		<category><![CDATA[marketing]]></category>
		<category><![CDATA[national gallery of victoria]]></category>
		<category><![CDATA[Queensland Performing Arts Centre]]></category>
		<category><![CDATA[the arts]]></category>
		<category><![CDATA[theatre]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=262885</guid>
		<description><![CDATA[The ultimate aim of arts companies is to put bums on seats. But the multi-media, multi-faceted strategy is an inexact science. <em>Crikey</em> speaks to arts marketers about the challenges of their jobs.]]></description>
		<wfw:commentRss>http://www.crikey.com.au/2011/12/02/putting-bums-on-seats-new-ways-to-sell-old-arts/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Story of a Rabbit &#8212; Playhouse, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2011/12/01/review-story-of-a-rabbit-playhouse-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2011/12/01/review-story-of-a-rabbit-playhouse-sydney/#comments</comments>
		<pubDate>Thu, 01 Dec 2011 23:31:40 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=262945</guid>
		<description><![CDATA[Hugh Hughes's <em>Story of a Rabbit</em> was a hit at Edinburgh Fringe and Barbican, and there's little wonder why. It's charming, magical and unique theatre, writes <b>Lloyd Bradford Skye</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2011/12/01/review-story-of-a-rabbit-playhouse-sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Ugly One &#8212; Griffin Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2011/11/28/review-the-ugly-one-griffin-theatre-sydney/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2011/11/28/review-the-ugly-one-griffin-theatre-sydney/#comments</comments>
		<pubDate>Mon, 28 Nov 2011 05:45:14 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=261965</guid>
		<description><![CDATA[Marius Von Mayenburg's <em>The Ugly One</em> makes its Sydney debut under the auspices of Arts Radar and directed by Sarah Giles. It makes a serious but obsession with skin-deep beauty but is an over-rated play, writes <b>Lloyd Bradford Skye.</b>]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2011/11/28/review-the-ugly-one-griffin-theatre-sydney/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>La Traviata &#8212; State Theatre, Melbourne</title>
		<link>http://blogs.crikey.com.au/curtaincall/2011/11/22/review-la-traviata-state-theatre-melbourne/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2011/11/22/review-la-traviata-state-theatre-melbourne/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 22:04:03 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=260852</guid>
		<description><![CDATA[There is nothing uniquely contemporary about director Elijah Moshinsky's 17-year-old production of a 158-year-old opera, but it is adoringly faithful and recreates late-1800s Paris in all its opulence, writes <b>Jason Whittaker</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2011/11/22/review-la-traviata-state-theatre-melbourne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Importance Of Being Earnest &#8212; Sumner Theatre, Melbourne</title>
		<link>http://blogs.crikey.com.au/curtaincall/2011/11/21/review-the-importance-of-being-earnest-sumner-theatre-melbourne/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2011/11/21/review-the-importance-of-being-earnest-sumner-theatre-melbourne/#comments</comments>
		<pubDate>Sun, 20 Nov 2011 21:27:02 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Geoffrey Rush]]></category>
		<category><![CDATA[Melbourne Theatre Company]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=260231</guid>
		<description><![CDATA[AFI/BAFTA/SAG/Emmy/Tony/Globe/Oscar winner Geoffrey Rush radiates as Lady Bracknell in the Melbourne Theatre Company's new production of <em>The Importance of Being Earnest</em>, writes <b>Jason Whittaker</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2011/11/21/review-the-importance-of-being-earnest-sumner-theatre-melbourne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Nowhere to pee, but music fans keep rocking on</title>
		<link>http://www.crikey.com.au/2011/11/18/nowhere-to-pee-but-music-fans-keep-rocking-on/</link>
		<comments>http://www.crikey.com.au/2011/11/18/nowhere-to-pee-but-music-fans-keep-rocking-on/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 23:41:01 +0000</pubDate>
		<dc:creator>Ben Eltham</dc:creator>
				<category><![CDATA[Food & Travel]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[My Cup Of Tea]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Harvest Festival]]></category>
		<category><![CDATA[live music]]></category>
		<category><![CDATA[Live Performance Australia]]></category>
		<category><![CDATA[music festivals]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=259952</guid>
		<description><![CDATA[Music festivals have the problems other arts sectors would die for. The logistics are a nightmare -- like the recent Harvest Festival -- but the fans keep coming.]]></description>
		<wfw:commentRss>http://www.crikey.com.au/2011/11/18/nowhere-to-pee-but-music-fans-keep-rocking-on/feed/</wfw:commentRss>
		<slash:comments>8</slash:comments>
		</item>
		<item>
		<title>The Merry Widow &#8212; Opera Theatre, Sydney</title>
		<link>http://blogs.crikey.com.au/curtaincall/2011/11/17/review-the-merry-widow-opera-theatre-sydney-2/</link>
		<comments>http://blogs.crikey.com.au/curtaincall/2011/11/17/review-the-merry-widow-opera-theatre-sydney-2/#comments</comments>
		<pubDate>Thu, 17 Nov 2011 22:19:24 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Links]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[theatre reviews]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=259945</guid>
		<description><![CDATA[The Australian Ballet’s revival of its 1975 production of <em>The Merry Widow</em> loses nothing at all to the sands of time. It is flawless and resplendent in every detail, writes <b>Lloyd Bradford Skye</b>.]]></description>
		<wfw:commentRss>http://blogs.crikey.com.au/curtaincall/2011/11/17/review-the-merry-widow-opera-theatre-sydney-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How lipgloss-smeared Albo got Dolly&#8217;s motor running</title>
		<link>http://www.crikey.com.au/2011/11/11/how-lipgloss-smeared-albo-got-dollys-motor-running/</link>
		<comments>http://www.crikey.com.au/2011/11/11/how-lipgloss-smeared-albo-got-dollys-motor-running/#comments</comments>
		<pubDate>Fri, 11 Nov 2011 02:09:59 +0000</pubDate>
		<dc:creator>Crikey</dc:creator>
				<category><![CDATA[Federal]]></category>
		<category><![CDATA[Music]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Anthony Albanese]]></category>
		<category><![CDATA[Dolly Parton]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=258710</guid>
		<description><![CDATA[Dolly was busting out. Her bus was too big, our roads were too small, her tour was at risk of deflating. Now Parton will meet the man who made it happen -- transport minister Anthony Albanese, writes <b>Harrison Polites</b>.]]></description>
		<wfw:commentRss>http://www.crikey.com.au/2011/11/11/how-lipgloss-smeared-albo-got-dollys-motor-running/feed/</wfw:commentRss>
		<slash:comments>14</slash:comments>
		</item>
		<item>
		<title>Nothing changes in opera &#8212; and nobody seems to care</title>
		<link>http://www.crikey.com.au/2011/11/11/nothing-changes-in-opera-and-nobody-seems-to-care/</link>
		<comments>http://www.crikey.com.au/2011/11/11/nothing-changes-in-opera-and-nobody-seems-to-care/#comments</comments>
		<pubDate>Thu, 10 Nov 2011 23:17:06 +0000</pubDate>
		<dc:creator>Ben Eltham</dc:creator>
				<category><![CDATA[People & Ideas]]></category>
		<category><![CDATA[Stage]]></category>
		<category><![CDATA[Australia Council]]></category>
		<category><![CDATA[Lyndon Terracini]]></category>
		<category><![CDATA[opera]]></category>
		<category><![CDATA[Opera Australia]]></category>

		<guid isPermaLink="false">http://www.crikey.com.au/?p=258628</guid>
		<description><![CDATA[The reason opera is a "heritage" artform is that its audiences don't want to see new operas. Time to abandon the fiction that it deserves more public funding than anything else.]]></description>
		<wfw:commentRss>http://www.crikey.com.au/2011/11/11/nothing-changes-in-opera-and-nobody-seems-to-care/feed/</wfw:commentRss>
		<slash:comments>25</slash:comments>
		</item>
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