Australia’s refugee problem has attracted global attention. This from the New York Times.
The school year splutters to life
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The curtain rises and the Senior Singers lay into the national anthem.
Australian Idol has a lot to answer for. Next the Junior Orchestra essay at harmony with something that should be familiar but isn’t. The student body writhes like a corpse invaded by maggots. Now is the moment that Principal Imre Kevorkian ascends the stage festooned with sporting pennants, mostly ancient, and approaches the rostrum with something like priestly mien. Will a lamb be ritually slaughtered or an unlucky captive from a rival school have his still-beating heart removed? As the principal grapples with the microphone like Laocoon with the serpents, a thousand pairs of eyes meditate upon the school motto emblazoned on the curtain which has again descended. Ars, Labore, Rectas. Words that have inspired students over several generations to admirable feats of filthy invention. The microphone has been subdued. The school body twitches in anticipation:
“What if there’s a bushfire?” an errant voice from the fragrant mass. Principal Kevorkian pauses, blinks. “And now if you’d like to welcome the Senior Orchestra performing two pieces by, um, Smetana, and, er, Janacek.” The key having been turned in the ignition, the engine splutters into life. |
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3 Comments
Ah, Diogenes, how your keen eye discerns the mother lode of Australian literary expression. Surely this architypical speech, with its deep intellectual reflectiveness and subtle imagery, has been heard by many of us at least 800 times, in one of its many but entirely predicatble forms. Is there a politician who does not have the music of this speech by heart? A music to which any words without meaning can be sung. (Introduction of meaning, or belief, even, tends to screw up the numbing rhythm and unsettle listeners.)
And how deliciously do we have modelled for us the use of that appealing and aestheric oral punctuation, so useful for paper ing over too long interruptions to neural processing.
Please continue to accumulate your valuable cultural record.
Welcome back young Trevor.
Now then, sit up straight and check your mirrors.
Depress the clutch, and carefully engage first gear on that keyboard.
It’s obviously going to be a bumpy ride over the next year.
But we’re all desperately hoping, that you’ll steer us through the swamp safely.
Yet again, brilliant, Diogenes!! Keep them coming.