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	<title>Comments on: Opera Australia does its bit for the SMH arts pages</title>
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	<description>now with extra source</description>
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		<title>By: Hugh Northam</title>
		<link>http://www.crikey.com.au/2008/08/21/opera-australia-does-its-bit-for-the-smh-arts-pages/#comment-4400</link>
		<dc:creator>Hugh Northam</dc:creator>
		<pubDate>Thu, 01 Jan 1970 10:00:00 +0000</pubDate>
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		<description>I have enjoyed excellent performances by Emma Matthews and Cheryl Barker in Rusalka and Arabella respectively. Both productions involved English artistic directors. The direction of Rusalka by Opera North&#039;s directress was asinine,  silly and musically and culturally illiterate, and only just stopped short of sabotaging the excellent singing, orchestral playing and conducting. The direction of Araberlla was attractive and a complement to the performers. But compared with what one reads in reviews of a recent production of Parsifal at Covent Garden, and a production of Salome set in a cellar, one feels grateful that the mediocrity complained of by Fiona Janes does not extend to productions which, to quote The Spectator&#039;s opera critic Michael Tanner, have the aim and objective of promoting the hegemony of modern directors at the cost of subverting the composer.</description>
		<content:encoded><![CDATA[<p>I have enjoyed excellent performances by Emma Matthews and Cheryl Barker in Rusalka and Arabella respectively. Both productions involved English artistic directors. The direction of Rusalka by Opera North&#8217;s directress was asinine,  silly and musically and culturally illiterate, and only just stopped short of sabotaging the excellent singing, orchestral playing and conducting. The direction of Araberlla was attractive and a complement to the performers. But compared with what one reads in reviews of a recent production of Parsifal at Covent Garden, and a production of Salome set in a cellar, one feels grateful that the mediocrity complained of by Fiona Janes does not extend to productions which, to quote The Spectator&#8217;s opera critic Michael Tanner, have the aim and objective of promoting the hegemony of modern directors at the cost of subverting the composer.</p>
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		<title>By: Emma Matthews</title>
		<link>http://www.crikey.com.au/2008/08/21/opera-australia-does-its-bit-for-the-smh-arts-pages/#comment-4401</link>
		<dc:creator>Emma Matthews</dc:creator>
		<pubDate>Thu, 01 Jan 1970 10:00:00 +0000</pubDate>
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		<description>Following from the ABC news story last Friday with respect to the dissenting Opera singer, I was not surprised to find an Opera Australia advertising brochure in my SMH on Saturday morning.  I thought this was a clever media campaign...</description>
		<content:encoded><![CDATA[<p>Following from the ABC news story last Friday with respect to the dissenting Opera singer, I was not surprised to find an Opera Australia advertising brochure in my SMH on Saturday morning.  I thought this was a clever media campaign&#8230;</p>
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